2018年4月14日雅思考试考情回忆

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2018年4月14日的雅思真题回忆已出，让各位考鸭们久等了。据说本场雅思听力开头两道是旧题，难度不大，但到了后面两个section难度直线飙升，Section 3两位对话快得感觉像是rap？还是要多加倍语速听力训练。

雅思听力Section 1

1-5 completion

Example:nature

1 The best watch time is the end of the months

2 The Poppy Mountain was covered with colourness of orange

3 was located at the South/East the of island

4 This park is a state park (not a national one)

5 Bring your trousers to protect snakes

6-10 table completion

罂粟花山的最佳观赏时间是每个月月底(at the end of months)。那时候，整个罂粟花山覆盖着橙色(colourness of

orange);罂粟花山位于岛屿的东部(East of the

island)。岛上的公园是州(state)立公园。在岛上，游客需要携带裤子(trousers)防止蛇攻击。听力真题内容概述：

基本的旅游项目包括在博物馆中心(museum

centre)观测点俯瞰罂粟花山。观察野生动物的时间是上午(5:30)至下午(1:00)，需要携带照相机(zoom lens)。

雅思听力Section 2

11-15 matching

Choirs are discussing their achievement and characteristics

11 made some special music—C(classical music)

12 organized some social events.—A(new friends through music)

13 won some musical prize—B

14 recorded a CD recently.—C

15 did some charity——A help disable persons

16-20 Choose a correct letter A, B or C

16 why they built the dinging club? Because A

A(have a rest/break after the work) it can help them escape from stress in

work

B improve their singing ability

C make a business contract

17 how many present members are in the choir? C

A 9 B 12 C19

18 when did the choir make music

A Before work B at lunch time C after work

19 what are they making a living? Company to encourage

A by selling performance clothes

B by functioning some commercial music

C by paying for professional singing classes

20 what about the Effect of choir club:

A it can improve relationship among employees co-workers

B for business C for a committed

听力真题内容概述：

C制作的是古典音乐，A组织了社会活动，B获得音乐奖项，C刚刚录制了一张CD

参与了慈善活动。歌唱俱乐部的组件衣衣在于帮助人们逃离工作中的压力烦恼(A)。合唱团现有(19)名成员。题目通常在中午时分(at lunch

time)制作音乐。合唱团还会出上演音乐以此谋生(B)。合唱俱乐部可以增进成员情感(A)。

雅思听力Section 3

21-26 multiple choices

21 the research report was based on:

Recording equipments in each room

22 Ben 绝度会不太妥是因为

A Without the child’s permission

B 认为家长对孩子Simple conversation

23 Ben 为什么有个什么疑惑

A 是孩子太小不能record B是全世界都这样

C parents’ simplified language is 对孩子成长没有长远影响

24 女的问什么学习法语的方法

B是他认为这样可以练语法grammar C日常用到的口头表达 oral expression

25 难度为什么喜欢learn by role play dialogue 学外语

C because Ben is confident, 不怕跟外国人交流

27-28 M问这两个人用什么方法调查project,

29-30)男生在数据分析data collect 的时候有什么困难。五选二 CE

A missed appointment. B broken facilities C technical errors

D the date cannot be used E interruption

雅思听力Section 4 新题

听力话题有关rural 和城市的比较

History

Blance

Children

Water

Population

Entertainment

Infrastructure

Wages

Electricity

雅思阅读考试回忆

一、4.14雅思阅读考试概述：

本次考试的文章是三篇新题，第一篇是关于英国剧院的发展史的，第二篇讲英国白蜡树的顶梢枯死这种疾病，第三篇是讲人类行为的。本次考试难度较大的配对题考查题量小，但是考生觉得难度大的选择题和list

of headings题量占比却较大。部分考生反应第三篇来不及做，所以大家考试时还是要加强时间的把控。

二、4.14雅思阅读具体题目分析

雅思阅读 Passage 1：

题目：History of theaters in Britain

题型：表格填空题6+判断题7

新旧程度：新题

文章大意：主要讲英国剧院的历史发展

参考文章：

History of theaters in Britain

British theatre has a rich history, from playwrights like William Shakespeare

to actors like Laurence Olivier. Today audiences still love to go to the theatre

to be entertained and challenged, hearing ideas that may not be expressed

anywhere else.

But it wasn't always like that. Initially theatre was used by the church and

royalty to spread their ideas. Gradually it became a vehicle to make everyone's

voice heard. So how did this come about?

During the upheaval of the medieval period the church used religious stories

as a way of controlling and distracting the country.

Theatre essentially grew out of this religious storytelling. Entertaining the

public became necessary especially after the trauma of the Black Death. Plays

took the form of mystery cycles and miracle plays. Mystery cycles dramatised

stories from the Bible, while miracle plays told stories about the lives of

saints. Parishes created these plays in order to communicate moral lessons to

society. Through these organised performances, the concept of theatre began to

take root in Britain.After centuries of religious inspiration for theatre, Henry

VIII banned all religious performances to prevent plays from spreading

Catholicism. He had set up his own church – the Church of England – and demanded

his people follow this faith instead. Post Reformation plays instead aimed to

entertain influential people and foreign VIPs. Theatre flourished in the 16th

Century and The Theatre, one of the first purpose- built playhouses, opened its

doors in London in 1576.

After the English Civil War, theatres experienced more restrictions. King

Charles II saw theatre as a way to establish control over the country. While in

exile he saw how Louis XIV managed and controlled French theatre and Charles

copied his approach by issuing royal patents to just two theatres. This

restricted dramatic opportunity as only these two could perform serious drama

and the remaining theatres had to perform comedy or melodrama instead. Patented

theatre became known as legitimate theatre and non-patented theatre as

illegitimate theatre. But progress was seen when Margaret Hughes became the

first woman on stage in 1660.

Despite the restrictions of the royal patents, theatre began to satirise the

government. In response politicians tightened theatrical censorship. Tipped over

the edge by plays attempting to ridicule him, Robert Walpole, the first ever

Prime Minister, introduced the 1737 Licensing Act. It gave the Lord Chamberlain

– a senior government adviser - the power to stop plays being performed. With

dramatic creativity effectively stifled, writers turned to novels or

illegitimate theatre for creative freedom. Despite an amendment in 1843, the act

remained in place and in use until 1968.

Ten years later, David Garrick’s theatrical innovations marked the point when

actors, writers and other theatre makers began to take control. David Garrick

was an actor and manager who introduced sweeping changes. Actors were subjected

to new and intensive rehearsal techniques and audiences were discouraged from

sitting on the stage, as the rich used to do. He was also a champion of

Shakespeare and his debut performance on the London stage as Richard III made

him an overnight star. Garrick was responsible for radical stylistic advances in

acting. He brought more emotion and realism to the exaggerated expressions of

the time.

In the Victorian era theatre's popularity meant the patent system no longer

worked. So it was ended in 1843 allowing more opportunities in drama. TW

Robertson was one playwright to benefit from this. He presented the audience

with realistic sets, everyday stories and natural dialogue. His representations

of domestic realism became known as ‘cup and saucer dramas’: one of his greatest

successes was Caste, a play about rank and social classes. The end of the patent

system allowed theatre to develop artistically. It set the stage for playwrights

such as Oscar Wilde who like Robertson tended to focus on the lives of the

privileged.

Interest in the arts grew in post-war Britain and audiences were keen to see

stories that they identified with. ‘Kitchen sink’ dramas provided them. Almost a

century on from Robertson’s naturalist plays, this new style of play, showed

working class life in a level of detail that was still unusual. Men Should Weep

by Ena Lamont Stewart premiered in 1947 and told a bleak tale of poverty in

1930s Glasgow. Also in the 1950s writers like John Osborne and Shelagh Delaney

were acclaimed for the social realism of their work. The success of Lamont

Stewart and Delaney helped pave the way for other women to make their voices

heard on the stage.

During the 20th Century, more changes happened off stage when the role of the

director became the key creative force. The notion of a directors’ theatre began

in Europe and spread to Britain. Sir Peter Hall is one of Britain’s most

celebrated directors. In 1955 he directed the first English language production

of Samuel Beckett's Waiting for Godot, which cemented his reputation. His vision

also created the blueprint for the Royal Shakespeare Company, a defining moment

in British theatre history. Despite his creative innovations he was still

restricted by the censorship laws.

By the swinging 60s, not only was the power of theatre in the hands of

theatre makers, but it had begun to challenge authority.

Until it ended in 1968 theatres avoided the constraints of government

censorship by trading as private clubs. The freedom this gave them allowed much

more challenging and radical subject matter to be tackled. Plays such as

Sartre’s Huis Clos – which was set in Hell and featured a homosexual character –

were staged. One of the leading theatres of this movement was Edinburgh’s

Traverse theatre.

As the 21st Century dawned, theatre continued to evolve as a vehicle for

challenging the establishment and pushing boundaries. Black Watch, which

premiered at the 2006 Edinburgh Festival Fringe, told the story of the Iraq War

through the eyes of soldiers from the Black Watch regiment. The play did exactly

what the government feared in 1737 and challenged those in power by holding

British politicians accountable for the suffering of the soldiers. It was

theatre at its controversial and arresting best – a far cry from the restrictive

and controlling theatre of the past.

While playwrights have more freedom than ever before, some issues around race

and religion have proved problematic for theatres to navigate. Religious outrage

forced the closure of Behzti at the Birmingham Repertory Theatre in 2004. The

play sparked riots due to the staging of a rape and murder in a Sikh temple. And

in 2015 a National Youth Theatre play called Homegrown, about Islamic

radicalisation in a London school, was cancelled days before opening. But

despite the difficulties, British theatre continues to reflect modern life,

telling stories and challenging taboos.

参考答案：

表格填空题：

1. wood

2. roof

3. playhouses

4. fire

5. concrete

6. bioscope

判断题：

7. TRUE

8. FALSE

9. FALSE

10. FALSE

11. TRUE

12. NOT GIVEN

13. TRUE

4.14雅思阅读Passage 2：

题目: Ash Tree Dieback

题型：List of Headings 7+多选题2+填空题4

新旧程度：新题

文章大意：主要讲白蜡树顶梢枯死(dieback)的这种病对英国的影响，以及如何短期和长期内如何处理这种疾病

参考文章：暂无

参考答案：

List of Headings：

14. vii

15. viii

16. iii

17. i

18. v

19. ii

20. iv

多选题：

21. A

22. D

填空题：

23. wind

24. Denmark

25. place names

26. breed

4.14雅思阅读Passage 3：

题目：What makes us human?

题型：判断题5+选择题5+配对题4

新旧程度：新题

文章大意：通过科学研究人类行为来讨论人类何以为人

参考文章：暂无

参考答案：

判断题：

27. YES

28. NOT GIVEN

29. NO

30. NOT GIVEN

31. NO

单选题：

32. B

33. A

34. C

35. D

36. D

配对题：

37. E

38. C

39. F

40. A

雅思写作考试回忆

1.雅思写作小作文：

The table gives information of 5 types of product exported from Hong Kong in 2009 and 2010.

2.雅思写作大作文

Governments should make people responsible for looking after their own local environment. To what extent do you agree or disagree?

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